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How To Write A Regency Romance
by Cynthia Marienthal
A Regency romance is not simply a short historical romance that happens to be set in the early half of the 19th century. Regency romances are a world all of their own.
The actual "Regency" occurred between1811 and 1820, however sometimes the word "Regency" is applied to a book taking place slightly earlier, perhaps 1805 or so. The only paperback publishers that still publish Regencies that I am aware of are Signet and Zebra.
Jane Austen and Georgette Heyer are icons of this genre. Catherine Coulter, Mary Jo Putney, Edith Layton and Mary Balogh all wrote Regencies before branching out into the large historical market and beyond. Emily Hendrickson still writes them.
A Regency is relatively short, though longer than a category. A Regency will run approximately 75,000 words. Despite the short length, the Regency is not just a category novel with long skirts and high hats.
A Regency is generally "sweet." There is no graphic sex in a Regency, although a Regency-period long historical is not bound by this rule. And yes, some established authors have been pushing the envelope. This is not to say that there is no sexual tension. Far from it. One of the most sensual scenes I have ever read is in Georgette Heyer's novel, Frederica. All Alverstoke does is kiss Frederica's hand. And yet, the scene is simply stuffed with sexual tension.
There is also relatively little profane language in a Regency and never from a lady's mouth. It wouldn't be good ton.
The plot is relatively low-key in a Regency. Look at Jane Austen. Pride and Prejudice is about a girl who is snubbed by a rich man every single girl wants to nab. Sense and Sensibility is about two sisters, both of whom are prevented from marrying the men they love by the man's family because they are not rich. Emma is about a girl who tries to matchmake with unfortunate results. There is usually no high drama such as you would see in a longer historical, although a girl kidnaped for her dowry or the war with Napoleon may figure in the plot.
The plot generally revolves around finding a husband. The heroine may go to London for the season, if her Papa can afford it, and attend Almack's, also known as the "Marriage Mart." If she isn't good enough for Almack's, she must settle for a husband from the fringes of the ton and won't be invited to all the best parties.
When writing a Regency, historical accuracy is essential. Readers of Regencies are extremely aware of the facts and will call you on them if you make a mistake. Still, don't look to "the greats"and accept information as facts without checking into them. Georgette Heyer years ago inserted information that was wrong in order to catch a plagiarist. In point of fact, there never was a "Little Season" in London. If your Regency novel sends your heroine to London to find a husband during the "Little Season," your book will be inaccurate.
If at all within your budget, try to go to London and Bath to see the locales written into the novels of published writers. Hyde Park, Rotten Row, the Bath Assembly Rooms, Grosvenor Street and all the rest are not just names. You can look at photographs, but there is nothing like being there and walking along the Serpentine. Who cares that no dashing rake will come trotting up to you, tip his hat and dare you to gallop in the Park? (Well, I cared.)
Reference material can sometimes be hard to come by. My local library has essentially none and getting books from outside of the system is very difficult if you don't know the name and author of the book. Kristine Hughes and Emily Hendrickson have compiled and self-published several good reference books; Marilyn Clay also puts out an excellent newsletter. I have included other references as well, though they are perhaps not so exclusively Regency.
References to consider for your library:
The Regency Reference Book by Emily Hendrickson
The Regency Plume (newsletter) by Marilyn Clay
The Writer's Guide to Everyday Life in Regency and Victorian England by Kristine Hughes
A Life in Service by Kristine Hughes
Researching Historic Great Britain by Kristine Hughes
The Ladies of London by Kristine Hughes
Jane Austen's Town and Country Style by Susan Watkins
Regency Style by Steven Parissien
Where Queen Elizabeth Slept and What the Butler Saw by David N. Durant
An Elegant Madness: High Society in Regency England by Venetia Murray
The Perfect English Country House by Candida Lycett Green
I wasn't kidding when I said that the Regency novel creates a world. And that's how it should be.
Cynthia Marienthal was born in Milwaukee, Wisconsin, where she learned to read at the age of 3. Books always played a focal role in her life. Although she received a Bachelor's degree in Pharmacy at UW-Madison, and an MBA from Webster University, in between classes, she was hard at work writing historical romance novels. She joined WisRWA, serving for a number of years as the newsletter editor; she also edited "Tales of the Troubadour," a newsletter about medieval romance novels. Her mss. have won and placed in contests, and she has achieved RWA Pro status. She currently works for Abbott Laboratories in Illinois--writing, of course.
Cynthia Marienthal is a past winner of the "Finish the Dang Book Contest" and once took second place in the "Marry Me" contest with her Western Historical Romance, Dishonored (then titled Footsteps of a Stranger). She was recently awarded an RWA Pro pin and is hard at work on an Irish historical that she hopes will be the book to earn "the Call."